{"id":16100,"date":"2021-03-23T14:41:31","date_gmt":"2021-03-23T17:41:31","guid":{"rendered":"https:\/\/fjsp.org.br\/fjsp\/?page_id=16100"},"modified":"2021-03-23T19:27:58","modified_gmt":"2021-03-23T22:27:58","slug":"destaques-da-biblioteca-marco-2021","status":"publish","type":"page","link":"https:\/\/fjsp.org.br\/fjsp\/destaques-da-biblioteca-marco-2021\/","title":{"rendered":"DESTAQUES DA BIBLIOTECA \u2013 Mar\u00e7o\/2021\u00a0"},"content":{"rendered":"<p><span data-contrast=\"auto\">Neste m\u00eas em que comemoramos o dia Internacional da Mulher em 8 de mar\u00e7o<\/span><span data-contrast=\"auto\">,<\/span> <span data-contrast=\"auto\">destacamos livros que<\/span> <span data-contrast=\"auto\">atrav\u00e9s de pesquisas elaboradas <\/span><span data-contrast=\"auto\">discutem as desigualdades de <\/span><span data-contrast=\"auto\">g\u00eanero <\/span><span data-contrast=\"auto\">e <\/span><span data-contrast=\"auto\">o novo<\/span><span data-contrast=\"auto\"> papel da <\/span><span data-contrast=\"auto\">mulher<\/span><span data-contrast=\"auto\"> no Jap\u00e3o atual<\/span> <span data-contrast=\"auto\">em v\u00e1rios aspectos<\/span><span data-contrast=\"auto\"> do conhecimento e<\/span><span data-contrast=\"auto\"> na sociedade. <\/span><span data-contrast=\"auto\">A nossa sugest\u00e3o de leitura \u00e9 o<\/span><span data-contrast=\"auto\"> romance <\/span><i><span data-contrast=\"auto\">Penit\u00eancia <\/span><\/i><i><span data-contrast=\"auto\">(<\/span><\/i><i><span data-contrast=\"auto\">Shokuzai<\/span><\/i><i><span data-contrast=\"auto\">\/<\/span><\/i><i><span data-contrast=\"auto\">\u8d16\u7f6a<\/span><\/i><i><span data-contrast=\"auto\">) <\/span><\/i><span data-contrast=\"auto\">de <\/span><span data-contrast=\"auto\">Kanae<\/span> <span data-contrast=\"auto\">Minato<\/span><span data-contrast=\"auto\"> (<\/span><span data-contrast=\"auto\">\u6e4a\u304b\u306a\u3048<\/span><span data-contrast=\"auto\">)<\/span><span data-contrast=\"auto\">, <\/span><span data-contrast=\"auto\">uma <\/span><span data-contrast=\"auto\">das melhores <\/span><span data-contrast=\"auto\">autora<\/span><span data-contrast=\"auto\">s<\/span><span data-contrast=\"auto\"> contempor\u00e2nea<\/span><span data-contrast=\"auto\">s de literatura de mist\u00e9rio e suspense japon\u00eas<\/span><span data-contrast=\"auto\">, <\/span><span data-contrast=\"auto\">que visitou o Brasil em 2019<\/span><span data-contrast=\"auto\">.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<h2><span style=\"color: #ff0000;\"><strong>\u25cf\u00a0<\/strong><strong>LIVROS<\/strong><\/span><\/h2>\n<p>&nbsp;<\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\"img-responsive img-fluid alignnone wp-image-16118\" src=\"https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/001.jpg\" alt=\"\" width=\"300\" height=\"451\" srcset=\"https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/001.jpg 932w, https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/001-280x421.jpg 280w, https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/001-768x1154.jpg 768w, https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/001-340x511.jpg 340w, https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/001-220x330.jpg 220w, https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/001-100x150.jpg 100w, https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/001-130x195.jpg 130w, https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/001-460x691.jpg 460w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<h4><span style=\"color: #333399;\"><b>Japanese women in s<\/b><b>cience and engineering: history and policy change<\/b>\u00a0<\/span><\/h4>\n<p><span data-contrast=\"auto\">Naonori<\/span> <span data-contrast=\"auto\">Kodate<\/span><span data-contrast=\"auto\">, <\/span><span data-contrast=\"auto\">Kashiko<\/span> <span data-contrast=\"auto\">Kodate<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\"><br \/>\n<\/span><span data-contrast=\"auto\">Routledge,<\/span><span data-contrast=\"auto\"> 2017<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\"><br \/>\n<\/span><span data-contrast=\"auto\">ISBN <\/span><span data-contrast=\"auto\">978-0-8153-8390-1<\/span><span data-contrast=\"auto\">.<br \/>\n<\/span><span data-contrast=\"auto\">E<\/span><span data-contrast=\"auto\">m<\/span> <span data-contrast=\"auto\">ingl\u00eas<\/span><span data-contrast=\"auto\">. <\/span><span data-contrast=\"auto\">[500.820952 <\/span><span data-contrast=\"auto\">Ko<\/span><span data-contrast=\"auto\">]<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><a href=\"http:\/\/about:blank\"><span data-contrast=\"none\">Japanese Women in Science and Engineering: History and Policy Change &#8211; (routledge.com)<\/span><\/a><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">A lacuna de g\u00eanero <\/span><span data-contrast=\"auto\">em ci\u00eancias, tecnologia, engenharia e mat<\/span><span data-contrast=\"auto\">em\u00e1tica (STEM) varia<\/span><span data-contrast=\"auto\"> de pa\u00eds para pa\u00eds, <\/span><span data-contrast=\"auto\">e o n\u00famero de mulheres<\/span><span data-contrast=\"auto\"> nessas \u00e1reas ainda \u00e9 relativamente baixo<\/span><span data-contrast=\"auto\"> no Jap\u00e3o<\/span><span data-contrast=\"auto\">. <\/span><span data-contrast=\"auto\">Atrav\u00e9s de dados coletados entre representantes do governo, cientistas e educadores<\/span><span data-contrast=\"auto\">, este livro<\/span><span data-contrast=\"auto\"> fornece um estudo de <\/span><span data-contrast=\"auto\">caso revelador sobre como a sub-representa\u00e7\u00e3o<\/span><span data-contrast=\"auto\"> das mulheres no<\/span><span data-contrast=\"auto\"> STEM tem sido abordado<\/span><span data-contrast=\"auto\">, al\u00e9m de <\/span><span data-contrast=\"auto\">m<\/span><span data-contrast=\"auto\">ostra<\/span><span data-contrast=\"auto\">r<\/span> <span data-contrast=\"auto\">os <\/span><span data-contrast=\"auto\">v\u00e1r<\/span><span data-contrast=\"auto\">ios programas empreendidos pelo governo<\/span><span data-contrast=\"auto\">, universidades e institutos nacionais de pesquisa para dar suporte aos v\u00e1rios caminhos na carreira para a progress\u00e3o das mulheres cientistas no Jap\u00e3o.<\/span><span data-contrast=\"auto\"> Em<\/span><span data-contrast=\"auto\"> seus 5 cap\u00edtulos<\/span><span data-contrast=\"auto\">,<\/span><span data-contrast=\"auto\"> o livro aborda<\/span><span data-contrast=\"auto\"> a hist\u00f3ria da educa\u00e7\u00e3o feminina antes da Segunda Guerra M<\/span><span data-contrast=\"auto\">undial (1); a<\/span><span data-contrast=\"auto\">s mudan\u00e7as pol\u00edticas do p\u00f3s-guerra at\u00e9 meados dos anos 80 (2); <\/span><span data-contrast=\"auto\">a<\/span><span data-contrast=\"auto\">s participa\u00e7\u00f5es igualit\u00e1rias e as oportunidades nas carreiras em ci\u00eancias e engenharia nos anos 90 (3); <\/span><span data-contrast=\"auto\">a<\/span><span data-contrast=\"auto\">van\u00e7o da pol\u00edtica para promover participa\u00e7\u00e3o igual entre homens e mulheres no final dos anos 90 e ano 2000<\/span><span data-contrast=\"auto\"> (4); e<\/span><span data-contrast=\"auto\"> o<\/span><span data-contrast=\"auto\">s impactos pol\u00edticos e as vozes das mulheres em ci\u00eancias e engenharia<\/span><span data-contrast=\"auto\"> (5)<\/span><span data-contrast=\"auto\">.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"auto\">Sobre os autores:<br \/>\n<\/span><\/b><span data-contrast=\"auto\">Naonori<\/span> <span data-contrast=\"auto\">Kodate<\/span><span data-contrast=\"auto\"> \u00e9 conferencista em<\/span><span data-contrast=\"auto\"> pol\u00edtica social na <\/span><span data-contrast=\"auto\">University<\/span> <span data-contrast=\"auto\">College<\/span><span data-contrast=\"auto\"> Dublin, <\/span><span data-contrast=\"auto\">Ireland<\/span><span data-contrast=\"auto\">. Sua pesquisa principal \u00e9 sobre a pol\u00edtica social comparada.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\"><br \/>\n<\/span><span data-contrast=\"auto\">Kashiko<\/span> <span data-contrast=\"auto\">Kodate<\/span><span data-contrast=\"auto\"> \u00e9 professora em\u00e9rita no Departamento de F\u00edsica e Matem\u00e1tica na <\/span><span data-contrast=\"auto\">Japan<\/span> <span data-contrast=\"auto\">Women\u2019<\/span><span data-contrast=\"auto\">s<\/span> <span data-contrast=\"auto\">University<\/span><span data-contrast=\"auto\">.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<p><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\"><img decoding=\"async\" class=\"img-responsive img-fluid alignnone wp-image-16119\" src=\"https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/002.jpg\" alt=\"\" width=\"300\" height=\"450\" srcset=\"https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/002.jpg 1708w, https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/002-280x420.jpg 280w, https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/002-768x1151.jpg 768w, https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/002-1025x1536.jpg 1025w, https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/002-1366x2048.jpg 1366w, https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/002-340x510.jpg 340w, https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/002-220x330.jpg 220w, https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/002-100x150.jpg 100w, https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/002-130x195.jpg 130w, https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/002-460x689.jpg 460w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/span><\/p>\n<h4><span style=\"color: #333399;\"><b>The new paradox for J<\/b><b>apanese women: greater choice, greater inequality<\/b><b> (<\/b><b>Jojo<\/b> <b>kakusa<\/b><b>\/<\/b><b>\u5973<\/b><b>\u5973\u683c\u5dee<\/b><b>)<\/b>\u00a0<\/span><\/h4>\n<p><span data-contrast=\"auto\">Toshiaki <\/span><span data-contrast=\"auto\">Tachibanaki<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\"><br \/>\n<\/span><span data-contrast=\"auto\">The International House of Japan, 2010<\/span><span data-contrast=\"auto\"><br \/>\nISBN 978-4924971-28-8.<br \/>\n<\/span><span data-contrast=\"auto\">Em<\/span> <span data-contrast=\"auto\">ingl\u00eas<\/span><span data-contrast=\"auto\">.<\/span><span data-contrast=\"auto\"> [305.420952 Ta<\/span><span data-contrast=\"auto\">]<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><a href=\"http:\/\/about:blank\"><span data-contrast=\"none\">[I-House Press] The New Paradox for Japanese Women: Greater Choice, Greater Inequality | IHJ Programs (i-house.or.jp)<\/span><\/a><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><a href=\"http:\/\/about:blank\"><span data-contrast=\"none\">The New Paradox For Japanese Women: Greater Choice, Greater Inequality by Toshiaki <\/span><span data-contrast=\"none\">Tachibanaki<\/span><span data-contrast=\"none\"> (goodreads.com)<\/span><\/a><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">O Jap\u00e3o era considerado uma sociedade onde todos<\/span><span data-contrast=\"auto\"> pertenciam \u00e0 classe m\u00e9dia. Mas, <\/span><span data-contrast=\"auto\">est\u00e1 se tornando uma sociedade onde a desigualdade social est\u00e1 aumentando.\u00a0 <\/span><span data-contrast=\"auto\">E<\/span><span data-contrast=\"auto\">ste livro <\/span><span data-contrast=\"auto\">procura discutir <\/span><span data-contrast=\"auto\">as desigualdades exis<\/span><span data-contrast=\"auto\">t<\/span><span data-contrast=\"auto\">entes entre <\/span><span data-contrast=\"auto\">as <\/span><span data-contrast=\"auto\">mulheres no Jap\u00e3o<\/span> <span data-contrast=\"auto\">atualmente<\/span><span data-contrast=\"auto\">. <\/span><span data-contrast=\"auto\">Muitas<\/span> <span data-contrast=\"auto\">pesquisas<\/span><span data-contrast=\"auto\"> sobre esse t\u00f3pico<\/span><span data-contrast=\"auto\"> foram feitas<\/span><span data-contrast=\"auto\">, mas a maioria <\/span><span data-contrast=\"auto\">era focada<\/span><span data-contrast=\"auto\"> nos<\/span><span data-contrast=\"auto\"> homens<\/span><span data-contrast=\"auto\"> em seu ambiente de <\/span><span data-contrast=\"auto\">trabalho ou na vida familiar. <\/span><span data-contrast=\"auto\">Em seus nove cap\u00edtulos<\/span><span data-contrast=\"auto\">, este livro<\/span><span data-contrast=\"auto\"> analisa a mulher em v\u00e1rios ambientes como na sociedade,<\/span><span data-contrast=\"auto\"> abordando sua classe social;<\/span><span data-contrast=\"auto\"> na educa\u00e7\u00e3o, <\/span><span data-contrast=\"auto\">mostrando as disparidades existentes ao atender a demanda; <\/span><span data-contrast=\"auto\">no trabalho<\/span><span data-contrast=\"auto\">, discutindo seu papel dentro da empresa;<\/span><span data-contrast=\"auto\"> e na vida familiar<\/span><span data-contrast=\"auto\">, com o casamento e a cria\u00e7\u00e3o dos filhos.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Casamento, maternidade, educa\u00e7\u00e3o infantil s\u00e3o eventos chave para uma mulher, e t\u00eam sido temas de muitas an\u00e1lises sociol\u00f3gicas, mas este livro tenta considerar estes eventos sob a perspectiva da desigualdade, assim como d\u00e1 uma aten\u00e7\u00e3o consider\u00e1vel \u00e0 influ\u00eancia dos homens nesta \u00e1rea.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"auto\">Sobre o autor<\/span><\/b><span data-contrast=\"auto\">: Toshiaki <\/span><span data-contrast=\"auto\">Tachibanaki<\/span><span data-contrast=\"auto\"> \u00e9 professor de Economia na Universidade de Quioto<\/span><span data-contrast=\"auto\"> e Diretor do <\/span><i><span data-contrast=\"auto\">Millenium Project <\/span><\/i><i><span data-contrast=\"auto\">on<\/span><\/i> <i><span data-contrast=\"auto\">Aging<\/span><\/i> <i><span data-contrast=\"auto\">at<\/span><\/i> <i><span data-contrast=\"auto\">the<\/span><\/i> <i><span data-contrast=\"auto\">Economic<\/span><\/i><i><span data-contrast=\"auto\"> Planning <\/span><\/i><i><span data-contrast=\"auto\">Agency<\/span><\/i><span data-contrast=\"auto\"> no Jap\u00e3o. Recebeu v\u00e1rios pr\u00eamios por suas publica\u00e7\u00f5es como o \u201cNikkei <\/span><span data-contrast=\"auto\">Prize<\/span><span data-contrast=\"auto\"> for <\/span><span data-contrast=\"auto\">Excellent<\/span><span data-contrast=\"auto\"> Books in <\/span><span data-contrast=\"auto\">Economic<\/span><span data-contrast=\"auto\"> Science\u201d, \u201c<\/span><span data-contrast=\"auto\">Mainichi<\/span> <span data-contrast=\"auto\">Newspapers<\/span> <span data-contrast=\"auto\">Economist<\/span> <span data-contrast=\"auto\">Award<\/span><span data-contrast=\"auto\">\u201d e o \u201c<\/span><span data-contrast=\"auto\">Ishibashi<\/span> <span data-contrast=\"auto\">Tanzan<\/span> <span data-contrast=\"auto\">Award<\/span><span data-contrast=\"auto\">\u201d.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<p><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\"><img decoding=\"async\" class=\"img-responsive img-fluid alignnone wp-image-16120\" src=\"https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/003.jpg\" alt=\"\" width=\"300\" height=\"463\" srcset=\"https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/003.jpg 324w, https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/003-280x432.jpg 280w, https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/003-220x340.jpg 220w, https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/003-100x154.jpg 100w, https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/003-130x201.jpg 130w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/span><\/p>\n<h4><span style=\"color: #333399;\"><b>The Japanese \u201cnew woman\u201d: images of gender and modernity<\/b>\u00a0<\/span><\/h4>\n<p><span data-contrast=\"auto\">Dina Lowy<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\"><br \/>\n<\/span><span data-contrast=\"auto\">Rutgers University Press, 2007<\/span><span data-contrast=\"auto\"><br \/>\nISBN 978-0-8135-4046-7.<br \/>\n<\/span><span data-contrast=\"auto\">Em<\/span> <span data-contrast=\"auto\">ingl\u00eas<\/span><span data-contrast=\"auto\">. [895.420952 Lo<\/span><span data-contrast=\"auto\">]<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><a href=\"http:\/\/about:blank\"><span data-contrast=\"none\">The Japanese &#8216;New Woman&#8217; | Rutgers University Press<\/span><\/a><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">No in\u00edcio do s\u00e9culo 20, o Jap\u00e3o testemunhou o surgimento de uma quest\u00e3o peculiar, o \u201c<\/span><span data-contrast=\"auto\">Women<\/span> <span data-contrast=\"auto\">Problem<\/span><span data-contrast=\"auto\">\u201d. Este foi o termo usado nos debates entre governantes e v\u00e1rios intelectuais sobre como definir as fun\u00e7\u00f5es das mulheres. Enquanto o governo se esfor\u00e7a em promover o paradigma da \u201cboa esposa, m\u00e3e s\u00e1bia\u201d, certos membros femininos da sociedade t\u00eam outras ideias de como <\/span><span data-contrast=\"auto\">se engajar na sociedade<\/span><span data-contrast=\"auto\">.<\/span><span data-contrast=\"auto\"> Neste livro a autora <\/span><span data-contrast=\"auto\">foca <\/span><span data-contrast=\"auto\">n<\/span><span data-contrast=\"auto\">a imagem destas novas mulheres<\/span><span data-contrast=\"auto\">,<\/span><span data-contrast=\"auto\"> como era discutido nos jornais<\/span><span data-contrast=\"auto\"> populares e revistas da<\/span> <span data-contrast=\"auto\">d\u00e9cada de<\/span><span data-contrast=\"auto\"> 1910, assim como na viv\u00eancia de um grupo espec\u00edfico de mulheres, membros de uma organiza\u00e7\u00e3o liter\u00e1ria feminina conhecida como \u201cThe <\/span><span data-contrast=\"auto\">Seitosha<\/span><span data-contrast=\"auto\">\u201d<\/span><span data-contrast=\"auto\">. Estas mulheres recorreram a uma variedade de fontes como treinamento Zen, escritos e ideias ocidentais, artes e a moral japonesa, para tentar abrir novos espa\u00e7os para atividades femininas al\u00e9m do confinamento dom\u00e9stico.<\/span> <span data-contrast=\"auto\">A autora mostra ainda como <\/span><span data-contrast=\"auto\">\u201cThe <\/span><span data-contrast=\"auto\">Seitosha<\/span><span data-contrast=\"auto\">\u201d estabeleceu um precedente que seria imitado nas d\u00e9cadas seguintes<\/span><span data-contrast=\"auto\"> e como as mulheres japonesas continuaram a <\/span><span data-contrast=\"auto\">questionar a ordem patriarcal, a experimentar vis\u00f5es alternativas e a perseguir seus direitos de diversas formas. \u00c9 um trabalho que fornece um contexto para estudos comparativos sobre a nova mulher, debates sobre g\u00eanero e os processos de moderniza\u00e7\u00e3o.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"auto\">Sobre a autora<\/span><\/b><span data-contrast=\"auto\">: Dina <\/span><span data-contrast=\"auto\">Lowy<\/span><span data-contrast=\"auto\"> \u00e9 prof<\/span><span data-contrast=\"auto\">essora assistente de hist\u00f3ria em <\/span><span data-contrast=\"auto\">Gettysburd<\/span> <span data-contrast=\"auto\">College<\/span><span data-contrast=\"auto\"> na <\/span><span data-contrast=\"auto\">Pensinv\u00e2nia<\/span><span data-contrast=\"auto\">.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<p><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\"><img loading=\"lazy\" decoding=\"async\" class=\"img-responsive img-fluid alignnone wp-image-16121\" src=\"https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/004.jpg\" alt=\"\" width=\"300\" height=\"450\" srcset=\"https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/004.jpg 333w, https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/004-280x420.jpg 280w, https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/004-220x330.jpg 220w, https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/004-100x150.jpg 100w, https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/004-130x195.jpg 130w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/span><\/p>\n<h4><span style=\"color: #333399;\"><b>Women and <\/b><b>f<\/b><b>amily in contemporary Japan<\/b>\u00a0<\/span><\/h4>\n<p><span data-contrast=\"auto\">Susan D. Holloway<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\"><br \/>\n<\/span><span data-contrast=\"auto\">Cambridge University Press<\/span><span data-contrast=\"auto\">, 2010<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\"><br \/>\n<\/span><span data-contrast=\"auto\">ISBN 978-0-521-19227-9.<br \/>\n<\/span><span data-contrast=\"auto\">Em<\/span> <span data-contrast=\"auto\">ingl\u00eas<\/span><span data-contrast=\"auto\">. [306.850952 Ho\/ t.21101]<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><a href=\"http:\/\/about:blank\"><span data-contrast=\"none\">Women and Family in Contemporary Japan (cambridge.org)<\/span><\/a><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">As m<\/span><span data-contrast=\"auto\">ulheres japonesas<\/span><span data-contrast=\"auto\">, muitas vezes, eram <\/span><span data-contrast=\"auto\">destinadas a <\/span><span data-contrast=\"auto\">cumprir o papel de esposa e m\u00e3e. Mas<\/span><span data-contrast=\"auto\"> agora <\/span><span data-contrast=\"auto\">est\u00e3o <\/span><span data-contrast=\"auto\">adia<\/span><span data-contrast=\"auto\">ndo o casamento e tendo<\/span><span data-contrast=\"auto\"> menos filhos. O Jap\u00e3<\/span><span data-contrast=\"auto\">o tornou-se um dos pa\u00edses menos f\u00e9rteis e com o envelhecimento mais r\u00e1pido <\/span><span data-contrast=\"auto\">no mundo. <\/span><span data-contrast=\"auto\">A <\/span><span data-contrast=\"auto\">autor<\/span><span data-contrast=\"auto\">a<\/span><span data-contrast=\"auto\"> procura, atrav\u00e9s de uma pesquisa extensa e profunda, analisar as perspectivas das m\u00e3es japonesas em suas experi\u00eancias no casamento, na maternidade e na vida familiar, par<\/span><span data-contrast=\"auto\">a responder \u00e0 quest\u00e3o de porqu\u00ea<\/span><span data-contrast=\"auto\"> as mulheres japonesas optam por n\u00e3o formar uma fam\u00edlia. <\/span><span data-contrast=\"auto\">Seu objetivo \u00e9<\/span><span data-contrast=\"auto\"> entender como estas mulheres<\/span><span data-contrast=\"auto\">, como indiv\u00edduos introspectivos e autoconscientes, <\/span><span data-contrast=\"auto\">interpretam e respondem aos obst\u00e1culos e \u00e0s oportunidades proporcionadas dentro dos contextos estruturais e ideol\u00f3gicos do Jap\u00e3o contempor\u00e2neo. As descobertas sugerem a necessidade de mu<\/span><span data-contrast=\"auto\">dan\u00e7as na estrutura do local de <\/span><span data-contrast=\"auto\">trabalho e <\/span><span data-contrast=\"auto\">d<\/span><span data-contrast=\"auto\">o sistema ed<\/span><span data-contrast=\"auto\">ucacional para proporcionar \u00e0s mulheres uma oportunidade de encontrar um equil\u00edbrio entre trabalho e a vida familiar.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"auto\">Sobre a autora<\/span><\/b><span data-contrast=\"auto\">: Susan D. <\/span><span data-contrast=\"auto\">Holloway<\/span><span data-contrast=\"auto\"> obteve seu Ph.D. em psicologia do desenvolvimento e educa\u00e7\u00e3o i<\/span><span data-contrast=\"auto\">nfantil na Universidade de Stanf<\/span><span data-contrast=\"auto\">ord em 1983.<\/span> <span data-contrast=\"auto\">Tem conduzido pesquisas no Jap\u00e3o desde 1980 e recebeu o pr\u00eamio \u201c<\/span><span data-contrast=\"auto\">Fullbright<\/span> <span data-contrast=\"auto\">Award<\/span><span data-contrast=\"auto\">\u201d em 1994 por estudar e escrever sobre fam\u00edlia e escolaridade nesse pa\u00eds. <\/span><span data-contrast=\"auto\">A<\/span><span data-contrast=\"auto\">utora<\/span><span data-contrast=\"auto\"> dos <\/span><span data-contrast=\"auto\">livros<\/span> <i><span data-contrast=\"auto\">Through My Own Eyes: Single Mothers and the Cultures of Poverty<\/span><\/i><span data-contrast=\"auto\"> e<\/span> <i><span data-contrast=\"auto\">Contested Childhood: Diversity and Change in Japanese Preschools<\/span><\/i><span data-contrast=\"auto\">.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<p><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\"><img loading=\"lazy\" decoding=\"async\" class=\"img-responsive img-fluid alignnone wp-image-16122\" src=\"https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/005.jpg\" alt=\"\" width=\"300\" height=\"450\" srcset=\"https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/005.jpg 907w, https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/005-280x420.jpg 280w, https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/005-768x1152.jpg 768w, https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/005-340x510.jpg 340w, https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/005-220x330.jpg 220w, https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/005-100x150.jpg 100w, https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/005-130x195.jpg 130w, https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/005-460x690.jpg 460w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/span><\/p>\n<h4><span style=\"color: #333399;\"><b>Women in the language and society of Japan: the linguistic roots of bias<\/b>\u00a0<\/span><\/h4>\n<p><span data-contrast=\"auto\">Naoko<\/span> <span data-contrast=\"auto\">Takemaru<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\"><br \/>\n<\/span><span data-contrast=\"auto\">McFarland<\/span><span data-contrast=\"auto\">, 2010<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\"><br \/>\n<\/span><span data-contrast=\"auto\">ISBN 978-0-7864-4003-0.<br \/>\nEm ingl<\/span><span data-contrast=\"auto\">\u00eas. <\/span><span data-contrast=\"auto\">[ 306.44082 Ta<\/span><span data-contrast=\"auto\">]<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><a href=\"http:\/\/about:blank\"><span data-contrast=\"none\">Women in the Language and Society of Japan \u2013 McFarland (mcfarlandbooks.com)<\/span><\/a><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Cr\u00ed<\/span><span data-contrast=\"auto\">ticas feministas c<\/span><span data-contrast=\"auto\">onsideram a l\u00edngua<\/span><span data-contrast=\"auto\"> como um ve\u00edculo prim\u00e1<\/span><span data-contrast=\"auto\">rio pa<\/span><span data-contrast=\"auto\">ra transmitir valores sexistas e<\/span><span data-contrast=\"auto\">m uma sociedade.<\/span><span data-contrast=\"auto\"> A cr\u00edtica sociolingu\u00edstica examina a representa\u00e7\u00e3o da mulher na linguagem e<\/span> <span data-contrast=\"auto\">n<\/span><span data-contrast=\"auto\">a<\/span><span data-contrast=\"auto\"> sociedade tradicional japonesa. <\/span><span data-contrast=\"auto\">Muitas express\u00f5es <\/span><span data-contrast=\"auto\">japonesas para homens e mulheres refletem estere\u00f3tipos de g\u00eanero e desigualdades na sociedade. Da mesma forma um grande n\u00famero de express\u00f5es relacionados ao g\u00eanero na l\u00edngua japonesa definem n\u00e3o somente o comportamento de mulheres e homens, sua aceita\u00e7\u00e3o ou n\u00e3o, como tamb\u00e9m, designam seus pap\u00e9is e <\/span><span data-contrast=\"auto\">status nela<\/span><span data-contrast=\"auto\">. Este livro faz uma investiga\u00e7\u00e3o<\/span> <span data-contrast=\"auto\">na representa\u00e7\u00e3o das mulheres na <\/span><span data-contrast=\"auto\">l\u00edngua japonesa e na sociedade t<\/span><span data-contrast=\"auto\">raz<\/span><span data-contrast=\"auto\">endo<\/span><span data-contrast=\"auto\"> como ponto central <\/span><span data-contrast=\"auto\">as vozes de um grupo de mulheres <\/span><span data-contrast=\"auto\">japonesas que participaram de uma<\/span><span data-contrast=\"auto\"> pesquisa com<\/span><span data-contrast=\"auto\">o usu\u00e1rias da linguagem atual expressando<\/span><span data-contrast=\"auto\"> seus pensament<\/span><span data-contrast=\"auto\">os<\/span><span data-contrast=\"auto\">, preocupa\u00e7\u00f5es e experi\u00eancias resultantes da viv\u00eancia com as representa\u00e7\u00f5es tra<\/span><span data-contrast=\"auto\">dicionalmente tendenciosas manifestadas<\/span><span data-contrast=\"auto\"> na l\u00edngua japonesa<\/span><span data-contrast=\"auto\">.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Termos deprec<\/span><span data-contrast=\"auto\">iativos e altamente <\/span><span data-contrast=\"auto\">sexualizados<\/span><span data-contrast=\"auto\"> s\u00e3o colocados no contexto hist\u00f3rico, e o progresso da reforma da linguagem n\u00e3o sexista \u00e9 revisada.\u00a0<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"auto\">Sobre a autora<\/span><\/b><span data-contrast=\"auto\">: <\/span><span data-contrast=\"auto\">Naoko<\/span> <span data-contrast=\"auto\">Takemaru<\/span><span data-contrast=\"auto\"> \u00e9 professora assistente de japon\u00eas na Universidade de Nevada, <\/span><span data-contrast=\"auto\">Las<\/span><span data-contrast=\"auto\"> Vegas. <\/span><span data-contrast=\"auto\">Este \u00e9 <\/span><span data-contrast=\"auto\">seu<\/span> <span data-contrast=\"auto\">primeiro<\/span> <span data-contrast=\"auto\">livro<\/span><span data-contrast=\"auto\">.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<p><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\"><img loading=\"lazy\" decoding=\"async\" class=\"img-responsive img-fluid alignnone wp-image-16123\" src=\"https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/006.jpg\" alt=\"\" width=\"300\" height=\"456\" srcset=\"https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/006.jpg 329w, https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/006-280x426.jpg 280w, https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/006-220x334.jpg 220w, https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/006-100x152.jpg 100w, https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/006-130x198.jpg 130w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/span><\/p>\n<h4><span style=\"color: #333399;\"><b>Inside and other short fiction: Japanese women by Japanese women<\/b>\u00a0<\/span><\/h4>\n<p><span data-contrast=\"auto\">Compilado por <\/span><span data-contrast=\"auto\">Cathy<\/span> <span data-contrast=\"auto\">Layne<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\"><br \/>\n<\/span><span data-contrast=\"auto\">Kodansha<\/span> <span data-contrast=\"auto\">International<\/span><span data-contrast=\"auto\">, 2006<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\"><br \/>\n<\/span><span data-contrast=\"auto\">ISBN 978-4-7700-3006-1.<\/span><br \/>\n<span data-contrast=\"auto\">Em<\/span> <span data-contrast=\"auto\">ingl\u00eas<\/span><span data-contrast=\"auto\">. [895.6301 In<\/span><span data-contrast=\"auto\">]<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><a href=\"http:\/\/about:blank#edition=4665554&amp;idiq=11662425\"><span data-contrast=\"none\">Inside and Other Short Fiction&#8211;Japanese&#8230; book by Ruth <\/span><span data-contrast=\"none\">Ozeki<\/span><span data-contrast=\"none\"> (thriftbooks.com)<\/span><\/a><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">N<\/span><span data-contrast=\"auto\">ovo<\/span><span data-contrast=\"auto\">, audacioso e vibrante, <\/span><i><span data-contrast=\"auto\">Inside<\/span><\/i> <i><span data-contrast=\"auto\">and<\/span><\/i> <i><span data-contrast=\"auto\">other<\/span><\/i><i><span data-contrast=\"auto\"> short <\/span><\/i><i><span data-contrast=\"auto\">fiction<\/span><\/i><span data-contrast=\"auto\"> traz um v\u00edvido retrato das vidas das mulhere<\/span><span data-contrast=\"auto\">s contempor\u00e2neas atrav\u00e9s de uma fic\u00e7\u00e3o de ponta, objetiva e contemplativa <\/span><span data-contrast=\"auto\">de escritoras japonesas de hoje. <\/span><span data-contrast=\"auto\">No ocidente<\/span><span data-contrast=\"auto\">,<\/span><span data-contrast=\"auto\"> fala-se muito sobre<\/span> <span data-contrast=\"auto\">Murasaki<\/span> <span data-contrast=\"auto\">Shikibu<\/span><span data-contrast=\"auto\"> (<\/span><i><span data-contrast=\"auto\">Tale <\/span><\/i><i><span data-contrast=\"auto\">of<\/span><\/i> <i><span data-contrast=\"auto\">Genji<\/span><\/i><span data-contrast=\"auto\">)<\/span> <span data-contrast=\"auto\">e Sei <\/span><span data-contrast=\"auto\">Shonagon<\/span><span data-contrast=\"auto\"> (<\/span><i><span data-contrast=\"auto\">Pillow<\/span><\/i><i><span data-contrast=\"auto\"> Book<\/span><\/i><span data-contrast=\"auto\">), <\/span><span data-contrast=\"auto\">mas pouco se conhece sobre <\/span><span data-contrast=\"auto\">as autoras <\/span><span data-contrast=\"auto\">contempor\u00e2neas como <\/span><span data-contrast=\"auto\">Tamaki<\/span> <span data-contrast=\"auto\">Daido<\/span><span data-contrast=\"auto\">, <\/span><span data-contrast=\"auto\">Yuz<\/span><span data-contrast=\"auto\">u<\/span><span data-contrast=\"auto\">ki<\/span> <span data-contrast=\"auto\">Muroi<\/span><span data-contrast=\"auto\"> ou <\/span><span data-contrast=\"auto\">Nobuko<\/span> <span data-contrast=\"auto\">Takagi<\/span><span data-contrast=\"auto\">, por n\u00e3o terem<\/span><span data-contrast=\"auto\"> trabalhos dispon\u00edveis em ingl\u00eas. Este livro re\u00fane oito est\u00f3rias curtas de autoras contempor\u00e2neas, <\/span><span data-contrast=\"auto\">populares e premiadas, <\/span><span data-contrast=\"auto\">algumas sem nenhuma obra traduzida para o ingl\u00eas at\u00e9 agora.<\/span> <span data-contrast=\"auto\">Al\u00e9m das autoras citadas acima temos contos de Rio <\/span><span data-contrast=\"auto\">Shimamoto<\/span><span data-contrast=\"auto\">, <\/span><span data-contrast=\"auto\">Shungiku<\/span> <span data-contrast=\"auto\">Uchida<\/span><span data-contrast=\"auto\">, <\/span><span data-contrast=\"auto\">Chiya<\/span> <span data-contrast=\"auto\">Fujino<\/span><span data-contrast=\"auto\">, Amy Yamada e <\/span><span data-contrast=\"auto\">Junko<\/span><span data-contrast=\"auto\"> Hasegawa. <\/span><span data-contrast=\"auto\">Com t\u00edtulo<\/span><span data-contrast=\"auto\">s provocativos,<\/span><span data-contrast=\"auto\"> explora<\/span><span data-contrast=\"auto\"> a quest\u00e3o da identidade feminina na sociedade que muda rapidamente, onde as mulheres t\u00eam uma liberdade sexual e econ\u00f4mica sem precedentes. <\/span><span data-contrast=\"auto\">De jovens a cinquentonas; casadas, solteiras e divorciadas; colegiais, <\/span><span data-contrast=\"auto\">mulheres de carreira, profissionais<\/span><span data-contrast=\"auto\"> do sexo, don<\/span><span data-contrast=\"auto\">as de casa e <\/span><span data-contrast=\"auto\">m\u00e3es, com narrativas que v\u00e3o do delicado e expl\u00edcito, do assustador e agressivo, do terno e excitante ao pungente e c\u00f4mico, <\/span><span data-contrast=\"auto\">esta antologia trata de maneira expl\u00edcita e franca uma ampla <\/span><span data-contrast=\"auto\">gama de experi\u00eancias femininas<\/span><span data-contrast=\"auto\"> atrav\u00e9s das<\/span><span data-contrast=\"auto\"> obras mais recentes de escritoras <\/span><span data-contrast=\"auto\">japonesas<\/span><span data-contrast=\"auto\">.\u00a0<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559738&quot;:240,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<p><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\"><img loading=\"lazy\" decoding=\"async\" class=\"img-responsive img-fluid alignnone wp-image-16124 size-full\" src=\"https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/007.jpg\" alt=\"\" width=\"300\" height=\"468\" srcset=\"https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/007.jpg 300w, https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/007-280x437.jpg 280w, https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/007-220x343.jpg 220w, https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/007-100x156.jpg 100w, https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/007-130x203.jpg 130w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/span><\/p>\n<h4><span style=\"color: #333399;\"><b>100 anos: hist\u00f3rias de cem mulheres japonesas em terras brasileiras = <\/b><b>100<\/b><b>\u5e74\u30d6\u30e9\u30b8\u30eb\u3078\u6e21\u3063\u305f<\/b><b>100<\/b><b>\u4eba\u306e\u5973\u6027\u306e\u7269\u8a9e<\/b>\u00a0<\/span><\/h4>\n<p><span data-contrast=\"auto\">Jornal S\u00e3o Paulo <\/span><span data-contrast=\"auto\">Shimbun<\/span><span data-contrast=\"auto\">, 2009<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\"><br \/>\n<\/span><span data-contrast=\"auto\">Edi\u00e7\u00e3o bil\u00edngue portugu<\/span><span data-contrast=\"auto\">\u00eas-japon\u00eas. [325.252 <\/span><span data-contrast=\"auto\">Ce<\/span><span data-contrast=\"auto\">]<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<blockquote><p><span data-contrast=\"auto\">\u201c<\/span><span data-contrast=\"auto\">A maioria das pessoas que imigraram do Jap\u00e3o para o Brasil constitu\u00eda-se do homem que sonhava alcan\u00e7ar o sucesso no Brasil, acompanhado da mulher e dos familiares, <\/span><span data-contrast=\"auto\">que eram obrigados a acompanh\u00e1-lo. Por\u00e9m, a realidade era uma sequ\u00eancia de sofrimentos e, mesmo empenhando-se em \u00e1rduo trabalho, n\u00e3o conseguiam concretizar os seus sonhos.<\/span><span data-contrast=\"auto\"> Nessa vida, a mulher n\u00e3o somente se dedicou ao trabalho bra\u00e7al junto com os homens, como tamb\u00e9m realizava os trabalhos dom\u00e9sticos, como cozinhar, lavar roupas, e ainda educava os filhos, suportando bravamente a dureza dessa rot<\/span><span data-contrast=\"auto\">ina e a saudade da terra natal.<\/span><span data-contrast=\"auto\">..Por outro lado, h\u00e1 tamb\u00e9m aquelas que vieram para o Brasil por sua pr\u00f3pria vontade,<\/span><span data-contrast=\"auto\"> para abrir o seu <\/span><span data-contrast=\"auto\">caminho, como noivas imigrantes<\/span><span data-contrast=\"auto\">\u201d<\/span><span data-contrast=\"auto\"> (retirado do pref\u00e1cio do livro).<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p><\/blockquote>\n<p><span data-contrast=\"auto\">Este livro surgiu da lacuna que se tinha nos registros de como <\/span><span data-contrast=\"auto\">a mulher sustentou e protegeu a fam\u00edlia nesta terra distante e, tamb\u00e9m, o que ela tinha como sua raz\u00e3o de viver. <\/span><span data-contrast=\"auto\">Aqui est\u00e3o compilados <\/span><span data-contrast=\"auto\">100<\/span><span data-contrast=\"auto\"> depoimentos de<\/span><span data-contrast=\"auto\"> mulheres japonesas ou descendentes residentes no territ\u00f3rio brasileiro, cerca de 23 vezes maior que o Jap\u00e3o, que vivem entre a regi\u00e3o do Amazonas e o estado do Rio Grande do Sul<\/span><span data-contrast=\"auto\">.\u00a0<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<h4><strong>Sites relacionados<\/strong><\/h4>\n<p><a href=\"http:\/\/about:blank\"><span data-contrast=\"none\">Women&#8217;s Empowerment | <\/span><span data-contrast=\"none\">JapanGov<\/span><\/a><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><a href=\"http:\/\/about:blank\"><span data-contrast=\"none\">Gender Roles of Women in Modern Japan &#8211; Japan Powered<\/span><\/a><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><a href=\"http:\/\/about:blank\"><span data-contrast=\"none\">PowerPoint <\/span><span data-contrast=\"none\">\u30d7\u30ec\u30bc\u30f3\u30c6\u30fc\u30b7\u30e7\u30f3<\/span><span data-contrast=\"none\"> (web-japan.org)<\/span><\/a><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><a href=\"http:\/\/about:blank\"><span data-contrast=\"none\">A <\/span><span data-contrast=\"none\">import\u00e2ncia<\/span><span data-contrast=\"none\"> da <\/span><span data-contrast=\"none\">mulher<\/span> <span data-contrast=\"none\">na<\/span> <span data-contrast=\"none\">sociedade<\/span> <span data-contrast=\"none\">japonesa<\/span><span data-contrast=\"none\"> | <\/span><span data-contrast=\"none\">Curiosidades<\/span><span data-contrast=\"none\"> do <\/span><span data-contrast=\"none\">Jap\u00e3o<\/span><span data-contrast=\"none\"> (japaoemfoco.com)<\/span><\/a><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<h2><span style=\"color: #ff0000;\"><strong>\u25cf SUGEST\u00c3O DE LEITURA<\/strong><\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/h2>\n<p><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Ainda<\/span> <span data-contrast=\"auto\">em<\/span> <span data-contrast=\"auto\">c<\/span><span data-contrast=\"auto\">omemora\u00e7\u00e3o<\/span> <span data-contrast=\"auto\">ao<\/span> <span data-contrast=\"auto\">m\u00eas<\/span><span data-contrast=\"auto\"> das <\/span><span data-contrast=\"auto\">mulheres<\/span> <span data-contrast=\"auto\">indicamos<\/span><span data-contrast=\"auto\"> a <\/span><span data-contrast=\"auto\">leitura<\/span> <span data-contrast=\"auto\">do <\/span><span data-contrast=\"auto\">livro<\/span> <i><span data-contrast=\"auto\">Penit\u00eancia<\/span><\/i><i><span data-contrast=\"auto\"> (<\/span><\/i><i><span data-contrast=\"auto\">Shokuzai<\/span><\/i><i><span data-contrast=\"auto\">\/<\/span><\/i><i><span data-contrast=\"auto\">\u8d16\u7f6a<\/span><\/i><i><span data-contrast=\"auto\">)<\/span><\/i> <span data-contrast=\"auto\">de <\/span><span data-contrast=\"auto\">Kanae<\/span><span data-contrast=\"auto\"> Minato, <\/span><span data-contrast=\"auto\">considerada<\/span> <span data-contrast=\"auto\">uma<\/span><span data-contrast=\"auto\"> das <\/span><span data-contrast=\"auto\">melhores<\/span> <span data-contrast=\"auto\">escritoras<\/span><span data-contrast=\"auto\"> de <\/span><span data-contrast=\"auto\">fic\u00e7\u00e3o<\/span><span data-contrast=\"auto\"> de <\/span><span data-contrast=\"auto\">mist\u00e9rio<\/span><span data-contrast=\"auto\"> e suspense, e <\/span><span data-contrast=\"auto\">que <\/span><span data-contrast=\"auto\">veio<\/span> <span data-contrast=\"auto\">ao<\/span> <span data-contrast=\"auto\">Brasil<\/span> <span data-contrast=\"auto\">em<\/span><span data-contrast=\"auto\"> 2019 para o <\/span><span data-contrast=\"auto\">lan\u00e7amento<\/span> <span data-contrast=\"auto\">deste<\/span> <span data-contrast=\"auto\">livro<\/span><span data-contrast=\"auto\"> e para <\/span><span data-contrast=\"auto\">participar<\/span><span data-contrast=\"auto\"> da XIX <\/span><span data-contrast=\"auto\">Bienal<\/span><span data-contrast=\"auto\"> do <\/span><span data-contrast=\"auto\">Livro<\/span><span data-contrast=\"auto\"> no Rio de Janeiro.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Quinze<\/span><span data-contrast=\"auto\"> anos atr\u00e1s, em uma <\/span><span data-contrast=\"auto\">pacata <\/span><span data-contrast=\"auto\">cidade do interior<\/span><span data-contrast=\"auto\">, uma menina de 10 anos<\/span><span data-contrast=\"auto\">, Emily,<\/span><span data-contrast=\"auto\"> f<\/span><span data-contrast=\"auto\">oi assassinada. M<\/span><span data-contrast=\"auto\">omentos antes ela brincava com quatro<\/span><span data-contrast=\"auto\"> colegas na<\/span><span data-contrast=\"auto\"> escola, <\/span><span data-contrast=\"auto\">quando um homem aparece para fazer<\/span><span data-contrast=\"auto\"> a<\/span><span data-contrast=\"auto\"> manuten\u00e7\u00e3o na piscina e <\/span><span data-contrast=\"auto\">pede a <\/span><span data-contrast=\"auto\">Emily para ajud\u00e1-lo. Ap\u00f3s algumas horas, sentido falta da colega<\/span><span data-contrast=\"auto\">, Sae, <\/span><span data-contrast=\"auto\">Maki<\/span><span data-contrast=\"auto\">, <\/span><span data-contrast=\"auto\">Akiko<\/span><span data-contrast=\"auto\"> e <\/span><span data-contrast=\"auto\">Yuka<\/span><span data-contrast=\"auto\"> v\u00e3o <\/span><span data-contrast=\"auto\">procur\u00e1<\/span><span data-contrast=\"auto\">-la e encontram seu corpo<\/span><span data-contrast=\"auto\"> inerte<\/span><span data-contrast=\"auto\">.<\/span><span data-contrast=\"auto\">\u00a0<\/span> <span data-contrast=\"auto\">Fazem um relato do ocorrido para a pol\u00edcia, mas por alguma raz\u00e3o, n\u00e3o conseguem se lembrar do rosto do suspeito, embora tenham falado com ele<\/span><span data-contrast=\"auto\">,<\/span><span data-contrast=\"auto\"> e o caso \u00e9 arquivado. <\/span><span data-contrast=\"auto\">A m\u00e3e inconformada re\u00fa<\/span><span data-contrast=\"auto\">ne as meninas e faz uma amea\u00e7a,<\/span> <span data-contrast=\"auto\">\u201cEu nunca vou perdoar voc\u00eas. Fa\u00e7am o que for preciso para encontrar esse assassino. Se n\u00e3o conseguirem, cada uma ter\u00e1 que pagar uma penit\u00eancia\u201d.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Mesmo <\/span><span data-contrast=\"auto\">carregando <\/span><span data-contrast=\"auto\">esse fardo nos ombros as protagonistas<\/span><span data-contrast=\"auto\"> conseguem chegar \u00e0 vida adulta quando<\/span><span data-contrast=\"auto\">, \u00e0s v\u00e9speras da prescri\u00e7\u00e3o do crime, uma s\u00e9rie de trag\u00e9dias <\/span><span data-contrast=\"auto\">acontece.\u00a0<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Cada cap\u00edtulo \u00e9 dedicado a <\/span><span data-contrast=\"auto\">cada <\/span><span data-contrast=\"auto\">uma das protagonistas<\/span><span data-contrast=\"auto\">, inclusive \u00e0 m\u00e3e de Emily,<\/span><span data-contrast=\"auto\"> onde relatam<\/span><span data-contrast=\"auto\">, seja em forma de carta, de entrevista ou conversas, suas hist\u00f3rias nesses quinze anos desde o crime.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">O Livro f<\/span><span data-contrast=\"auto\">oi agraciado com o <\/span><span data-contrast=\"auto\">Mystery<\/span> <span data-contrast=\"auto\">Writers<\/span> <span data-contrast=\"auto\">of<\/span> <span data-contrast=\"auto\">Japan<\/span> <span data-contrast=\"auto\">Award<\/span><span data-contrast=\"auto\"> em 2010.<\/span> <span data-contrast=\"auto\">Em 2012, foi adaptado para a TV em forma de miniss\u00e9rie com cinco epis\u00f3dios, cada um correspondendo a um cap\u00edtulo do livro.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><b><img loading=\"lazy\" decoding=\"async\" class=\"img-responsive img-fluid alignnone wp-image-16131\" src=\"https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/penitencia-capa.jpg\" alt=\"\" width=\"300\" height=\"433\" srcset=\"https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/penitencia-capa.jpg 416w, https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/penitencia-capa-280x404.jpg 280w, https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/penitencia-capa-340x490.jpg 340w, https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/penitencia-capa-220x317.jpg 220w, https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/penitencia-capa-100x144.jpg 100w, https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/03\/penitencia-capa-130x188.jpg 130w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/b><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\"><br \/>\n<\/span><\/p>\n<h4><strong>Ficha t\u00e9cnica<\/strong><\/h4>\n<h4><span style=\"color: #333399;\"><b>Penit\u00eancia (<\/b><b>Shokuzai<\/b><b>\/<\/b><b>\u8d16\u7f6a<\/b><b>)<\/b>\u00a0<\/span><\/h4>\n<p><span data-contrast=\"auto\">Kanae<\/span> <span data-contrast=\"auto\">Minato<\/span><span data-contrast=\"auto\"> (<\/span><span data-contrast=\"auto\">\u6e4a\u304b\u306a\u3048<\/span><span data-contrast=\"auto\">)<\/span><span data-contrast=\"auto\">; tradu\u00e7\u00e3o do ingl\u00eas de Elisa <\/span><span data-contrast=\"auto\">Nazarian<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\"><br \/>\n<\/span><span data-contrast=\"auto\">Editora Gutenberg, 2019<\/span><span data-contrast=\"auto\"><br \/>\nISBN 978-85-8235-607-4.<br \/>\nEm portugu\u00eas. [895.63 Mi]<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"auto\">Sobre a autora<\/span><\/b><span data-contrast=\"auto\">: <\/span><span data-contrast=\"auto\">Kanae<\/span> <span data-contrast=\"auto\">Minato<\/span><span data-contrast=\"auto\"> nasceu em Hiroshima, em 1973. Come\u00e7ou a escrever aos trinta anos de idade.<\/span><span data-contrast=\"auto\"> Seu primeiro<\/span><span data-contrast=\"auto\"> romance<\/span> <span data-contrast=\"auto\">\u201c<\/span><span data-contrast=\"auto\">Confiss\u00f5es<\/span><span data-contrast=\"auto\">\u201d<\/span><span data-contrast=\"auto\"> tornou-se um <\/span><span data-contrast=\"auto\">best-seller<\/span><span data-contrast=\"auto\"> com mais de tr\u00eas milh\u00f5es de c\u00f3pias vendidas no Jap\u00e3o, <\/span><span data-contrast=\"auto\">foi traduzido para v\u00e1rias l\u00ednguas <\/span><span data-contrast=\"auto\">e adaptado para o cinema em um filme pr\u00e9-indicado ao Oscar.<\/span><span data-contrast=\"auto\"> Recebeu v\u00e1rios pr\u00eamios liter\u00e1rio<\/span><span data-contrast=\"auto\">s como Pr\u00eamio <\/span><span data-contrast=\"auto\">BS-i<\/span><span data-contrast=\"auto\"> para Novos Escritores (2005), Pr\u00eamio <\/span><span data-contrast=\"auto\">Bunshun<\/span><span data-contrast=\"auto\"> de 10 Melhores Fic\u00e7\u00f5es Policiais (2008), <\/span><span data-contrast=\"auto\">Pr\u00eamio Yamamoto <\/span><span data-contrast=\"auto\">Shugoro<\/span><span data-contrast=\"auto\"> (2016) entre outros<\/span><span data-contrast=\"auto\">. <\/span><span data-contrast=\"auto\">Em 2019 veio ao Brasil para o lan\u00e7amento do livro \u201cPenit\u00eancia\u201d <\/span><span data-contrast=\"auto\">em S\u00e3o Paulo <\/span><span data-contrast=\"auto\">e para participar da XIX Bienal do Livro no Rio de janeiro.<\/span><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<h4><strong>Sites relacionados<\/strong><\/h4>\n<p><a href=\"http:\/\/about:blank\"><span data-contrast=\"none\">Livro: Penit\u00eancia | Grupo Aut\u00eantica<\/span><\/a><\/p>\n<p><a href=\"http:\/\/about:blank\"><span data-contrast=\"none\">\u8d16\u7f6a<\/span><span data-contrast=\"none\"> (<\/span><span data-contrast=\"none\">\u6e4a\u304b\u306a\u3048<\/span><span data-contrast=\"none\">) &#8211; <\/span><span data-contrast=\"none\">Wikipedia<\/span><\/a><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><a href=\"http:\/\/about:blank\"><span data-contrast=\"none\">Kanae<\/span> <span data-contrast=\"none\">Minato<\/span><span data-contrast=\"none\"> &#8211; <\/span><span data-contrast=\"none\">Wikipedia<\/span><\/a><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><a href=\"http:\/\/about:blank\"><span data-contrast=\"none\">\u6e4a\u304b\u306a\u3048\u306e\u6700\u65b0\u4eba\u6c17\u304a\u3059\u3059\u3081\u672c\u30e9\u30f3\u30ad\u30f3\u30b0<\/span><span data-contrast=\"none\">10<\/span><span data-contrast=\"none\">\u9078\u3010<\/span><span data-contrast=\"none\">2020<\/span><span data-contrast=\"none\">\u5e74\u6700\u65b0\u7248\u3011<\/span><\/a><\/p>\n<p><a href=\"http:\/\/about:blank\"><span data-contrast=\"none\">Japonesa <\/span><span data-contrast=\"none\">Kanae<\/span> <span data-contrast=\"none\">Minato<\/span><span data-contrast=\"none\"> participa de encontro com o p\u00fablico em S\u00e3o Paulo | Grupo Aut\u00eantica<\/span><\/a><\/p>\n<p><a href=\"http:\/\/about:blank\"><span data-contrast=\"none\">Escritora <\/span><span data-contrast=\"none\">Kanae<\/span> <span data-contrast=\"none\">Minato<\/span><span data-contrast=\"none\"> | <\/span><span data-contrast=\"none\">Events<\/span><span data-contrast=\"none\"> | JAPAN HOUSE (S\u00e3o Paulo)<\/span><\/a><\/p>\n<p><a href=\"http:\/\/about:blank\"><span data-contrast=\"none\">Home<\/span><span data-contrast=\"none\">\uff5c<\/span><span data-contrast=\"none\">The Mystery Writers of Japan<\/span><\/a><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:240}\">\u00a0<\/span><\/p>\n<p><a href=\"https:\/\/fjsp.org.br\/fjsp\/destaques-da-biblioteca\/\"><img loading=\"lazy\" decoding=\"async\" class=\"img-responsive img-fluid size-full wp-image-14773 aligncenter\" src=\"https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/01\/botao-site-destaquebbca-rodape-voltar.jpg\" alt=\"\" width=\"320\" height=\"134\" srcset=\"https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/01\/botao-site-destaquebbca-rodape-voltar.jpg 320w, https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/01\/botao-site-destaquebbca-rodape-voltar-280x117.jpg 280w, https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/01\/botao-site-destaquebbca-rodape-voltar-220x92.jpg 220w, https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/01\/botao-site-destaquebbca-rodape-voltar-100x42.jpg 100w, https:\/\/fjsp.org.br\/fjsp\/wp-content\/uploads\/2021\/01\/botao-site-destaquebbca-rodape-voltar-130x54.jpg 130w\" sizes=\"(max-width: 320px) 100vw, 320px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Neste m\u00eas em que comemoramos o dia Internacional da Mulher em 8 de mar\u00e7o, destacamos livros que atrav\u00e9s de pesquisas elaboradas discutem as desigualdades de g\u00eanero e o novo papel da mulher no Jap\u00e3o atual em v\u00e1rios aspectos do conhecimento e na sociedade. A nossa sugest\u00e3o de leitura \u00e9 o romance Penit\u00eancia (Shokuzai\/\u8d16\u7f6a) de Kanae [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-16100","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/fjsp.org.br\/fjsp\/wp-json\/wp\/v2\/pages\/16100","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fjsp.org.br\/fjsp\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fjsp.org.br\/fjsp\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fjsp.org.br\/fjsp\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fjsp.org.br\/fjsp\/wp-json\/wp\/v2\/comments?post=16100"}],"version-history":[{"count":3,"href":"https:\/\/fjsp.org.br\/fjsp\/wp-json\/wp\/v2\/pages\/16100\/revisions"}],"predecessor-version":[{"id":16136,"href":"https:\/\/fjsp.org.br\/fjsp\/wp-json\/wp\/v2\/pages\/16100\/revisions\/16136"}],"wp:attachment":[{"href":"https:\/\/fjsp.org.br\/fjsp\/wp-json\/wp\/v2\/media?parent=16100"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}