{"id":16394,"date":"2021-04-21T23:05:28","date_gmt":"2021-04-22T02:05:28","guid":{"rendered":"https:\/\/fjsp.org.br\/fjsp\/?page_id=16394"},"modified":"2021-04-22T10:03:09","modified_gmt":"2021-04-22T13:03:09","slug":"musica-no-castelo-shen-kyoumei-ribeiro-ing","status":"publish","type":"page","link":"https:\/\/fjsp.org.br\/fjsp\/musica-no-castelo-shen-kyoumei-ribeiro-ing\/","title":{"rendered":"Shen Kyomei Ribeiro (Shakuhachi\/Flute)"},"content":{"rendered":"
Portugu\u00eas<\/a> | \u65e5\u672c\u8a9e<\/a> | Espa\u00f1ol<\/a><\/h5>\n

 <\/p>\n

Our tenth and last concert in the Music in the Castle series will be dedicated to the \u201cshakuhachi<\/em>\u201d, a traditional Japanese bamboo flute, and to the transversal flute, performed by teacher Shen Kyomei Ribeiro.<\/p>\n

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\"\"<\/p>\n

 <\/p>\n

The flute is one of the oldest instruments that we have news of. The first flutes resembled whistles, as they only had one hole and were made of bones.<\/p>\n

In cave paintings, it is possible to observe drawings of flutes and whistles, proving the presence of this instrument since 60,000 BC. The oldest instrument ever found is a kind of flute made out of a fragment of the femur of a young cave bear, with two to four holes, found in Divje Babe in Slovenia, and is about 43,000 years old.<\/p>\n

In 2008, another flute manufactured at least 35,000 years ago, was discovered in the Hohle Fels cave near Ulm, in Germany. The 5-hole flute has a V-shaped mouthpiece and is made from a vulture wing bone. The discovery is also the oldest confirmed for any musical instrument in history.<\/p>\n

The flutes found in the Hohle Fels cave suggested that \u201cthe findings demonstrate the presence of a well-established musical tradition at the time modern humans colonized Europe\u201d. Scientists have also suggested that the discovery of the flute may help explain the likely behavior and cognitive gap between the Neanderthals and the first modern humans.<\/p>\n

Like all primitive musical instruments, the flute played a magical role, and was used to accompany religious rituals. In Vedic culture, Krishna (God) is described as a master flutist. Some cultures have banned the use of flutes by children and women, under pain of death. We still have an example of this today, in the Xingu National Park in Brazil.<\/p>\n

The flute is a wind musical instrument, made of different types of wood and bamboo, shaped like a hollow tube with holes. It is an aerophone which, through the air flow directed to an edge that vibrates with the passage of air, emits sound. Very old, the execution of such an instrument consists of blowing the inside of the tube while the holes are being covered or uncovered with the fingers, and the person who plays the flute is called a flutist.<\/p>\n

In 1832, the German inventor Theobald Boehm invented the modern transverse flute system, with the introduction of keys to the instrument (which is also used in various wind instruments, such as the saxophone, clarinet, and oboe, for example).<\/p>\n

In this concert, we have two flutes that use this system: the flute in C and the flute in G.<\/p>\n

The flute is the most versatile of wind instruments. From traditional, medieval music to jazz, going through the folk melodies of several countries, in Brazil, in rhythms such as the bai\u00e3o, choro, samba, bossa nova, among others. It has always been widely used in progressive rock, along with traditional instruments, bass, guitar, drums and keyboard, showing all its ability to dialog with different musical genres.<\/p>\n

There are many types of flutes in different countries and regions, such as:<\/p>\n

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\"\"<\/p>\n

 <\/p>\n

Transverse flute
\n<\/strong>Executed in a horizontal position, with a side blow, it can be made of wood or metal. Widely used in symphonic orchestras.<\/p>\n

Vertical flute
\n<\/strong>It is blown into its upper end.<\/p>\n

Piccolo
\n<\/strong>As its name suggests (\u201csmall\u201d in Italian), it is a small flute, tuned one octave above the normal C flute.<\/p>\n

Basque flute
\n<\/strong>A vertical flute, also known as flute Proven\u00e7ale, is a three-hole flute or galoubet.<\/p>\n

Pan flute
\n<\/strong>Originating from Greek mythology, the pan flute is an old wind instrument, formed by a number of tubes of decreasing length. Depending on where they are built, the flutes can have different features and names, such as syrinx in ancient Greece, nai in Romania<\/em>, siku<\/em> or antara<\/em> in the Andes.<\/p>\n

Ocarina
\n<\/strong>It is one of the oldest musical instruments in the world. It is made of porcelain, terracotta or stone, and usually has an oval shape, but there are some variations in this design.<\/p>\n

Xun
\n<\/strong>A Chinese globular flute made of clay or ceramic, similar to an ocarina, but without the whistle.<\/p>\n

Colombian harmonica
\n<\/strong>Derived from a local indigenous instrument, it is not related to Irish or Galician harmonicas, sharing the name only.<\/p>\n

Ney
\n<\/strong>From Persia and Egypt, it is perhaps the oldest of the flutes that still has players.<\/p>\n

Quena
\n<\/strong>It has six holes for producing the notes (Inca culture of Peru).<\/p>\n

Tinwhistle
\n<\/strong>Originating in Ireland, it is also known as Pennywhistle, it is widely used in Celtic, medieval, and Scottish music.<\/p>\n

Shakuhachi<\/em>
\n<\/strong>A Japanese traditional flute made of bamboo.<\/p>\n

Fife
\n<\/strong>Also known as a piffero<\/em>, it is often used in military bands.<\/p>\n

Suling<\/em>
\n<\/strong>A Southeast Asian bamboo flute.<\/p>\n

Venu<\/em>
\n<\/strong>A transverse flute made of bamboo, common in South India.<\/p>\n

Bansuri<\/em>
\n<\/strong>A side-blown flute made single shaft of bamboo with six or seven finger holes, originally from India.<\/p>\n

Cangoeira<\/em>
\n<\/strong>A Brazilian indigenous flute made from the bones of dead warriors.<\/p>\n

Diaulo<\/em>
\n<\/strong>A double flute, used among the Greeks.<\/p>\n

Mizmar Flute<\/em>
\n<\/strong>With a high-pitched sound that resembles a \u201cmosquito\u201d, this flute is widely used in Arab folk music.<\/p>\n

 <\/p>\n

The shakuhachi<\/em><\/h2>\n

This rustic five-hole instrument was introduced from Japan with the court music that we call \u201cGagaku\u201d.<\/p>\n

Gagaku<\/em> is a type of classical Japanese music, as well as a term used for the court orchestra formed by woodwinds, strings and percussion, that was performed at the Imperial Court in Kyoto for several centuries. Gagaku<\/em> music consists of three primary repertoires: religious and folkloric songs and dances, native and Shinto repertoires.<\/p>\n

The Gagaku<\/em> that entered Japan came through China at the same time that new techniques of rice cultivation and Buddhism were also being introduced to this Chinese cultural package, which would change Japanese society.<\/p>\n

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\"\"<\/p>\n

 <\/p>\n

The shakuhachi<\/em> was one of the wind instruments of this musical ensemble, and its the most common size would be 1.8 shaku<\/em>, that is, 1 shaku<\/em> = 30 centimeters. The type of bamboo used is the \u201cmadake<\/em>\u201d, a very rigid bamboo with thick walls, lending sound quality and depth to the instrument. The natural scale is a D pentatonic scale, that is, D \/ F \/ G \/ A \/ D, but it is possible to play other scales by changing the angle of the mouth and different finger positions.<\/p>\n

There are also other types of shakuhachis of different lengths, producing the same pentatonic scale with different note pitches.<\/p>\n

In addition to the court songs that were not played in public, there are compositions for the shakuhachi<\/em> dating from the 7th century Nara period. The shakuhachi<\/em> was played as part of Zen Buddhism ceremonies and practices, more specifically in the Japanese Fuke sect. It was the favorite instrument of the pilgrim monks, known as \u201ckomuso<\/em>\u201d, who used to wear a large basket-shaped hat. One of the translations for these players would be: \u201cpriests of nothingness\u201d, that is, no showing of their face a total lack of ego.<\/p>\n

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Personal archive<\/p><\/div>\n

 <\/p>\n

At the beginning of the Edo period, in the 17th century, the Kinko school emerged, which, without losing its religious aspects, started to use the instrument purely for music.<\/p>\n

Samurai Monk Kinko Kurosawa is the founder of this school. He traveled across Japan visiting and collecting songs in different Zen Buddhist temples and, from these records, the first notes then became musical scores, creating the \u201chonkyoku\u201d, the original music for the shakuhachi. Altogether, there are 36 songs or solo songs.<\/p>\n

 <\/p>\n

Shen Kyomei Ribeiro<\/strong><\/h2>\n

Born in Botucatu, S\u00e3o Paulo, Brazil, he began his musical learning at an early age, through community singing. At the age of 15, he started studying the recorder, piano and choir singing at the Music Conservatory of the Santa Marcelina Institute, in his homeland.<\/p>\n

During high-school, he specialized in architectural design, and subsequently entered architecture school, where he had the opportunity to directly connect with art in its various aspects. He was strongly influenced by the study of form and the research and reflection on musical sounds within spaces that were not built for the purpose of concert rooms, which led him to give up his career as an architect and start a new life path in the musical universe.<\/p>\n

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\"\"<\/p>\n

 <\/p>\n

1982 \u2013 Joined the Choir at the University of S\u00e3o Paulo, where he studied vocal technique and conducting. He started the transverse flute course at the Music Conservatory of Brooklin Paulista, S\u00e3o Paulo.<\/p>\n

1983 \u2013 Participated in the Campos do Jord\u00e3o (SP) and Mendoza (Argentina) Music Festivals.<\/p>\n

1985\u20131987 \u2013 Joined the Youth Orchestras of the City of S\u00e3o Paulo and of the State of S\u00e3o Paulo as a flutist and became the president of the orchestral committees. During this period of orchestral work and sound research of the transverse flute and traditional flutes from various countries, he had the opportunity to listen to a recording of traditional Japanese flute, the \u201cShakuhachi<\/em>\u201d, a five-hole flute made of bamboo with a very special sound, in which the beauty and depth of the sound produced by this instrument gave new directions to his career.<\/p>\n

1987 \u2013 September – left for Japan, Tokyo, to specialize in the study of the Shakuhachi<\/em> and traditional Japanese culture.<\/p>\n

1988 \u2013 Joined Tokyo University of Fine Arts and was a direct disciple of Professor and Master Goro Yamaguchi (Living National Treasure).<\/p>\n

1989 \u2013 Participated in the 1st International Flute Seminar with Jamens Galway – Switzerland.<\/p>\n

1991 – Attended Master Classes with Aur\u00e9le Nicolet.<\/p>\n

1992 – Recorded his first CD \u201cPixinguinha Simplesmente<\/em>\u201d, a tribute to the great Brazilian flutist and composer \u201cPixinguinha\u201d, of the \u201cChoro<\/em>\u201d musical style.<\/p>\n

1994 – Recorded his second CD “A Capella”, a solo flute performance recorded in a Catholic church in the city of Fujisawa – Japan.<\/p>\n

1996 \u2013 Recorded his third CD \u201cSinging on the Flute\u201d, for Edi\u00e7\u00e3o Paulistanas do Brasil<\/em>, with the participation of several Brazilian performers and the S\u00e3o Paulo Soloists Orchestra.<\/p>\n

1997 – Recorded his fourth CD, \u201cBrazilian Music for the Shakuhachi\u201d, a unique project featuring the traditional Japanese flute, together with the rich and universal Brazilian popular music, with songs by composer Tom Jobim and original compositions.<\/p>\n

1997-1998 – Went on a musical pilgrimage through the churches of Portugal and Spain in a work in which Western and Eastern music are united and harmonized by the space of the churches belonging to the millennia-old path of Camino de Santiago<\/em> (Way of St. James). This trip gave rise to his fifth book\/CD, entitled, \u201cPeregrinatio\u201d.<\/p>\n

1998 \u2013 Was invited to play for the Empress of Japan, at a recital at the home of the Argentine Ambassador in Tokyo.<\/p>\n

1999 – Was invited to play the Shakuhachi<\/em> for the Emperor of Japan at his residence in the Tokyo Imperial Palace.<\/p>\n

1999 – Edition of the sixth CD \u201cA Capella II\u201d, a recording of transverse flute and solo Shakuhachi<\/em> performed at the Santo Domingos de Silos Abbey in Spain.<\/p>\n

2000 \u2013 Moves to Estoril, Portugal, to manage musical editions through the MEXMUSIC seal, created by Shen Ribeiro, aimed at editing quality musical works for cultural purposes, for example. Book\/CD Peregrinatio\/Brazilian Music for the Shakuhachi \/ A Capella II \/ Bom Jesus – Alegria dos Homens (Jesu, Joy of Man’s Desiring )- Music by J. S. Bach \/ Um Sonho M\u00e1gico (A Magic Dream) – a Children’s Opera \/ <\/span>Maria<\/span><\/span>\u00a0Jos\u00e9\u00a0Morais\u00a0\u2013\u00a0Chopin\u00a0<\/span><\/span>Works.<\/span>
\nAs a concertist, he has performed in countless concert halls in Brazil, Japan, and Europe, having interpreted a widely varied repertoire of styles and composers uniting classical, popular and traditional themes. The theme of his work is the communion of people through the different sounds of the flutes he plays. The universality, the tolerance and humanization are always present in his musical interpretations. He directed<\/span> the chamber music group \u201cRocheira Musique Ensemble\u201d and participates as an \u201cextra\u201d, playing the flute and piccolo in the 2001-2002 Season of the Calouste Gulbenkian Foundation Orchestra – Lisbon.<\/p>\n

2003 \u2013 Returns to Brazil in April as the director of the Est\u00fadio Salaviva da Associa\u00e7\u00e3o Cultural Cachuera!<\/em> In the same year, he participated as a flutist at Opera Portinari, under the musical direction of conductor La\u00e9rcio de Freitas.<\/p>\n

2007 – Films a documentary about his career in Japan and his relationship with the shakuhachi<\/em>, sponsored by the Japan Foundation.<\/p>\n

2012 – Participates in the international shakuhachi<\/em> meeting in the city of Kyoto (Japan) and assumes the presidency of the Brazilian Association of Japanese Classical Music.<\/p>\n

2013 \u2013 Was nominated \u201cShen Kyomei<\/em>\u201d (master in shakuhachi<\/em>) from the Chikumeisha Association of Japan.<\/p>\n

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\"\"<\/p>\n

 <\/p>\n

In 2016, he participated in the closing ceremonies of the Olympic Games in Rio de Janeiro, playing \u201cCanto de Xang\u00f4\u201d, by Baden Powell, on the shakuhachi. In that same year, he performed at the Festival \u201cRoppongi Art Night\u201d in Tokyo.<\/p>\n

From May 2017 to December 2019 he held the position of vice president of the Japanese Pavilion, in Ibirapuera Park.<\/p>\n

In January 2020, he toured Japan releasing his new work \u201cShakuhachi live Recording\u201d, with live recordings with the shakuhachi and various musical ensembles, and also performed at the National Theater of Japan in Tokyo.<\/p>\n

He has annually\u00a0 held concerts and exchanges with Japan, in partnership with the Embassy of Brazil in Tokyo, the Consulate of Japan in S\u00e3o Paulo, and with the Japan Foundation.\u00a0 <\/span><\/p>\n

 <\/p>\n

The songs<\/h2>\n

1- “Castle Honkyoku” (Shen Kyomei Ribeiro)<\/strong><\/h4>\n

Original composition inspired by the honkyoku phrases, which is the original music for the shakuhachi.<\/p>\n

Master Goro Yamaguchi used to say: \u201cPlay with your heart, regardless of any problem\u201d<\/p>\n

\"\"<\/p>\n

From that phrase, the idea of playing an original Honkyoku for the \u201cMusic in the Castle\u201d series emerged. Despite the pandemic scenario, music can speak to the heart.<\/p>\n

\n

2- Algu\u00e9m cantando<\/em> (Someone singing) (Caetano Veloso)<\/strong><\/h4>\n

Someone singing away from here
\nSomeone singing far away, far away
\nSomeone singing a lot
\nSomeone singing well
\nSomeone singing is good to hear<\/p>\n

Someone singing some song
\nSomeone’s voice in this immenseness
\nThe voice of someone who sings
\nThe voice of a certain someone
\nWho sings as if to no one<\/p>\n

Someone’s voice
\nWhen it comes from the heart
\nOf someone who keeps
\nAll purity
\nOf nature
\nWhere there is neither sin nor forgiveness<\/p>\n

\n

3- “Looking at the Sky” <\/strong>(Ue o muite aru ko<\/em>)<\/h4>\n

Song: Hachidai Nakamura (\u4e2d\u6751\u516b\u5927 ) \/ Lyrics: Rokusuke Ei (\u6c38\u516d\u8f14)<\/p>\n

\u4e0a\u3092\u5411\u3044\u3066\u6b69\u3053\u3046\u3000\u6d99\u304c\u3053\u307c\u308c\u306a\u3044\u3088\u3046\u306b
\n\u601d\u3044\u51fa\u3059\u6625\u306e\u65e5\u3000\u4e00\u4eba\u307c\u3063\u3061\u306e\u591c<\/p>\n

\u4e0a\u3092\u5411\u3044\u3066\u6b69\u3053\u3046\u3000\u306b\u3058\u3093\u3060\u661f\u3092\u6570\u3048\u3066
\n\u601d\u3044\u51fa\u3059\u590f\u306e\u65e5\u3000\u4e00\u4eba\u307c\u3063\u3061\u306e\u591c<\/p>\n

\u5e78\u305b\u306f\u96f2\u306e\u4e0a\u306b\u3000\u5e78\u305b\u306f\u7a7a\u306e\u4e0a\u306b<\/p>\n

\u4e0a\u3092\u5411\u3044\u3066\u6b69\u3053\u3046\u3000\u6d99\u304c\u3053\u307c\u308c\u306a\u3044\u3088\u3046\u306b
\n\u6ce3\u304d\u306a\u304c\u3089\u6b69\u304f\u3000\u4e00\u4eba\u307c\u3063\u3061\u306e\u591c<\/p>\n

\u601d\u3044\u51fa\u3059\u79cb\u306e\u65e5\u3000\u4e00\u4eba\u307c\u3063\u3061\u306e\u591c
\n\u60b2\u3057\u307f\u306f\u661f\u306e\u5f71\u306b\u3000\u60b2\u3057\u307f\u306f\u6708\u306e\u5f71\u306b<\/p>\n

\u4e0a\u3092\u5411\u3044\u3066\u6b69\u3053\u3046\u3000\u6d99\u304c\u3053\u307c\u308c\u306a\u3044\u3088\u3046\u306b
\n\u6ce3\u304d\u306a\u304c\u3089\u6b69\u304f\u3000\u4e00\u4eba\u307c\u3063\u3061\u306e\u591c<\/p>\n

 <\/p>\n

Ue o muite arukoo
\n<\/em>Namida ga kobore nai yoo ni
\n<\/em>Omoidasu haru no hi
\n<\/em>Hitoribotchi no yoru<\/em><\/p>\n

Ue o muite arukoo
\n<\/em>Nijinda hoshi o kazoete
\n<\/em>Omoidasu natsu no hi
\n<\/em>Hitoribotchi no yoru<\/em><\/p>\n

Shiawase wa kumo no ue ni
\n<\/em>Shiawase wa sora no ue ni<\/em><\/p>\n

Ue o muite arukoo
\n<\/em>Namida ga kobore nai yoo ni
\n<\/em>Nakinagara aruku
\n<\/em>Hitoribotchi no yoru<\/em><\/p>\n

Omoidasu aki no hi
\n<\/em>Hitoribotchi no yoru
\n<\/em>Kanashimi wa hoshi no kage ni
\n<\/em>Kanashimi wa tsuki no kage ni<\/em><\/p>\n

Ue o muite arukoo
\n<\/em>Namida ga kobore nai yoo ni
\n<\/em>Nakinagara aruku
\n<\/em>Hitoribotchi no yoru<\/em><\/p>\n

 <\/p>\n

Looking at the sky
\nSo as not to shed tears
\nI remember, on a spring day
\nAt night alone<\/p>\n

Looking at the sky
\nCounting the bright stars
\nI remember a spring day
\nAt night alone<\/p>\n

Happiness is above the clouds
\nHappiness is above the sky<\/p>\n

Looking at the sky
\nSo as not to shed tears
\nCrying, I walk
\nAt night alone<\/p>\n

I remember on an autumn day
\nAt night alone
\nSadness is in the shadow of the stars
\nSadness lies in the moon’s shadow<\/p>\n

Looking at the sky
\nSo as not to shed tears
\nCrying, I walk
\nAt night alone
\nAt night alone<\/p>\n

\n

4- “Akatombo”<\/em><\/strong><\/h4>\n

Song: Kosaku Yamada<\/em> (\u5c71\u7530\u8015\u7b70) \/ Lyrics: Rofu Miki (\u4e09\u6728\u9732\u98a8)<\/p>\n

\u5915\u713c\u5c0f\u713c\u306e\u3000\u8d64\u3068\u3093\u307c
\n\u8ca0\u308f\u308c\u3066\u898b\u305f\u306e\u306f\u3000\u3044\u3064\u306e\u65e5\u304b<\/p>\n

\u5c71\u306e\u7551\u306e\u3000\u6851\u306e\u5b9f\u3092
\n\u5c0f\u7c60\u306b\u6458\u3093\u3060\u306f\u3000\u307e\u307c\u308d\u3057\u304b<\/p>\n

\u5341\u4e94\u3067\u59d0\u3084\u306f\u3000\u5ac1\u306b\u884c\u304d
\n\u304a\u91cc\u306e\u305f\u3088\u308a\u3082\u3000\u7d76\u3048\u306f\u3066\u305f<\/p>\n

\u5915\u713c\u5c0f\u713c\u306e\u3000\u8d64\u3068\u3093\u307c
\n\u3068\u307e\u3063\u3066\u3044\u308b\u3088\u3000\u7aff\u306e\u5148<\/p>\n

 <\/p>\n

Yuuyake koyake no akatonbo
\nOwarete mita nowa itsunohika
\nItsunohika<\/p>\n

Yama no hatake no kuwa no mi wo
\nKokago ni tsunda wa maboroshi ka
\nMaboroshi ka<\/p>\n

Juugo de neeya wa yome ni iki
\nOsato no tayori mo taehateta
\nTaehateta<\/p>\n

Yuuyake koyake no akatonbo
\nTomatte iru yo sao no saki
\nSao no saki<\/p>\n

 <\/p>\n

Red Dragonfly<\/strong><\/p>\n

Red dragonfly on a red sunset sky
\nBeing carried on my back, I saw one day
\nOne day<\/p>\n

In the mountain fields, we chose mulberry fruits
\nAnd we put it in a small basket, is that a mirage?
\nMirage<\/p>\n

At fifteen, the young woman got married
\nAnd letters also stopped coming
\nThey stopped coming<\/p>\n

Red dragonfly on a red sunset sky
\nStanding at the end of my fishing rod
\nFishing rod<\/p>\n

\n

5- “Manh\u00e3 de carnaval”<\/em> (Carnival morning) (Luiz Bonf\u00e1)<\/strong><\/h4>\n

Morning, what a beautiful morning
\nIn life, a new song
\nSinging only of your eyes
\nYour laughter, your hands
\nFor there will be a day
\nWhen will you come<\/p>\n

From the strings of my guitar
\nThat only sought your love
\nComes a voice
\nTo talk about lost kisses
\nOn your lips<\/p>\n

My heart sings
\nJoy has returned
\nWhat a happy morning
\nOf this love<\/p>\n

\n

6- “Amor em paz”<\/em> (Love in Peace) (Tom Jobim\/Vin\u00edcius de Moraes)<\/strong><\/h4>\n

I loved,
\nAnd I loved, poor me, much more
\nThan I should have
\nAnd I cried
\nWhen I felt I was going to suffer
\nAnd despair<\/p>\n

It was then
\nThat from my infinite sadness
\nYou happened
\nI found in you
\nThe reason to live
\nAnd to love in peace
\nAnd not suffer anymore,<\/p>\n

Never
\nBecause love
\nIs the saddest thing
\nWhen it falls apart
\nLove is the saddest thing
\nWhen it falls apart<\/p>\n

\n

7- Travessia<\/em><\/strong> (Milton Nascimento)<\/h4>\n

When you left, my life turned into night
\nI am strong, but today I have to cry
\nMy house is not mine, and neither is this place
\nI’m alone and I can’t keep in it, I have a lot to say<\/p>\n

\n

I let my voice out on the road, I don’t want to stop anymore
\nMy path is made of stones, how can I dream
\nA dream made of breeze, and the wind blows it away
\nI will close my tears, I will want to kill myself<\/p>\n

I’m going through life, forgetting about you
\nI don’t want death anymore, I have a lot to live
\nI will want to love again and if I can’t I won’t suffer
\nI no longer dream, today I make my life with my arm<\/p>\n

I lose my voice on the roads, I don’t want to stop anymore
\nMy path is of stones, how can I dream
\nDream made of breeze, wind comes to an end
\nI will end my tears, I will want to kill myself<\/p>\n

I’m carrying on with my life, forgetting about you
\nI don’t want death anymore, I have a lot to live
\nI will want to love again and if I can’t, I won’t suffer
\nI no longer dream, today I go through life with my arms<\/p>\n

 <\/p>\n<\/div>\n

\"\"<\/p>\n

 <\/p>\n

Watch Shen Kyomei Ribeiro’s performance in the Music in the Castle project.<\/p>\n

 <\/p>\n

<\/div>\n